One of the most instructive descriptions of a pollaxe bout
in the literature: Look at the mention of strikes without specifying the part
of the axe used (presumably meaning the mail was used by default), but then the
strike to the fingers, which does,
specifically saying the "sharp of his axe," meaning the taillent; the
mention of striking the "bars of his visor" (meaning they were
wearing grilled visors of the kind many of the LH crowd says didn't exist); the
fact that he struck to the visor with the "handle" (i.e., the queue)
of the axe, just as we're taught to do in Le Jeu; and the fact that he worked
to disarm his opponent, which is one of the most highly favored tactics in Le
Jeu.
CHAPTER XLII.
How they marched one
against the other; each doing valiantly.
And when the Mareschal had given them leave to go, as they
advanced one upon the other, you had thought they had been two lions unchained.
But there was this difference; as Saintré was making for him, he cried aloud,
that all might hear him, “Hah, my ever-gentle dame, and whose I am!” and then
they began to fall upon one another. Then Sir Enguerrant, who was a most
valiant Knight, strong and powerful, and larger built than Saintré, raised his
axe, and dealt him such a blow upon the shoulder that he made him reel, while
Saintré, in return, struck him with the handle of his axe upon the bars of his
vizor, driving him several paces back. Then Sir Enguerrant elevated his axe to
strike a second time; but Saintré, making for him, gave him such a cut over the
hand with the sharp of his axe that neither guard nor anything else could
avail, so that all his fingers were smashed and benumbed. Sir Enguerrant, who
was now hot, nor knew anything of what had happened to his fingers, thought
again to lift his axe, and it was only then he began to feel the pain, and that
he could no longer wield it. So, as a wary and a dauntless Knight, holding his
axe in his left hand, he opened his arms to seize Saintré by the waist. But
when Saintré perceived his aim, he continued to strike, nor ever once let him
approach. And when he saw his moment, all on a sudden he gave him such a blow
on the hand in which he was holding the axe, that he sent it flying in the air;
and when Sir Enguerrant saw that his axe was gone, in sheer desperation he
rushed upon Saintré, to close with him, catching him by one arm. But when the
King saw the axe of Sir Enguerrant upon the ground, and the two together by the
middle, as Prince and Judge sovereign, he at once threw down his wardour, and
said, "Ho, ho!" Then were the two champions separated by the guards.
Then the King, by the Mareschal, called the two champions before him, and then
had said to them, “You, Sir Enguerrant, and you, Jehan de Saintré, the King
desires you should know, that you have each so nobly and so valiantly acquitted
yourselves that it would have been impossible to have done better; but,
according to the articles, the Lord, the King, who here is, has recognized that
the combat was to end either when one or other of you were borne to the ground,
or either had lost his axe from both his hands. So, by the terms, Jehan de
Saintré, the Lord, the King, adjudges to you the prize.”
Vance, Alexander. The
History and Pleasant Chronicle of Little Jehan de Saintré. London: Chapman
and Hall, 1863, pp.128-130.
4 comments:
Great piece!
But the whole story is a fictional, although Jehan de Saintré was a real person. =(
Yes, I know it's fictional, that's why I cited the novel from which it was taken. The point is that it's a contemporary description of a bout which points up ideas from the Fechtbücher in non-Fechtbuch literature.
The whole fight description looks like it was written by the man, who knew what he was talking about. And the axe fighters wearing some grilled visors are depicted in Fiore's book, AFAIR Pisani-Dossi version
Yes, exactly--that's what drove me to post it. It's obviously written by someone who understands the art.
As to the grills, they are fairly common, but you're right, Fiore is the best-known source: http://wiktenauer.com/images/3/30/Pisani-Dossi_MS_27a.jpg
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