I have been roundly criticized by sword taggers and tatami
butcherers for pointing out that both activities ruin one’s form and technique
and violate the principles taught explicitly by the Masters. I frequently post pictures and/or videos of
both activities on the die Schlachtschule FaceBook page to show people how
these practices force people to ignore the Fechtbücher. Recently, I posted a truly awful (but, sadly, not atypical)
picture of a young man performing an execrable test cut which led to my being
attacked and vilified. I am, they say,
wrong, and the Fechtbücher are too unclear for us to say that their ways of
cutting today are wrong.
On the contrary, the masters are quite explicit with regards
to cutting and the kinds of errors to avoid.
To that end, let us look at a picture of someone performing test cutting
and compare it to what we read in the Fechtbücher. Please note that the attached picture is in
no way unusual or atypical, it is merely one I recently posted; most test
cutters look much like this. Moreover,
this and other, similar, pictures constantly receive warm congratulations and
approbation for the form shown, making it clear this is what the HEMA mainstream
finds laudable. (NB: I have no idea who this young man is, and I
bear him no special animus. His picture
is typical of what I have seen, and was grabbed randomly.)
Lesson: Do not fight
in wide movements:
“For you should strike or thrust in the shortest and nearest
way possible. For in this righteous fighting do not … fight in large movements
by which people restrict themselves.”
(Ms 3227a fol. 14r.)
Analysis: That he is
fighting with a “large movement” is too obvious to require comment.
Lesson: Wide strikes
create openings your opponent can exploit:
“With their bad displacements and wide fighting they try to
look dangerous with wide and long strikes that are slow and with these they
perform strikes that miss and create openings in themselves.” (Id. ff. 14r-v.)
Analysis: This is obviously
an extremely wide strike, and the fact that he is open to an attack while
helplessly out of place cannot be denied.
“Slow” is something of a misnomer; the cut might have been performed at
high speed, but the distance it travels takes a long time.
Lesson: Stand in a
well-balanced stance so you can move easily.
“Also know that when you fight with another you should step
with caution and be sure in the movements as if you were standing on a scale
and adapt accordingly if you go forward or backward as is fitting.” (Id. fol. 15v.)
Analysis: The word “scale”
here is a reference to die Waage, or “the scale,” which is the term for the
normal stance used in Master Johannes’ system.
It requires that we stand in a balanced position in order to be prepared
to step in any direction instantly. The
stance seen in the photograph is obviously not a balanced stance, nor does it
resemble die Waage when done correctly, as can be seen here:
http://wiktenauer.com/wiki/Codex_Wallerstein_(Cod.I.6.4%C2%BA.2)#/media/File:Cod.I.6.4%C2%BA.2_006v.jpg
The text says, in relevant part, “And stand firmly in the balance stance as shown here.” (Codex Wallerstein fol. 6v.)
http://wiktenauer.com/wiki/Codex_Wallerstein_(Cod.I.6.4%C2%BA.2)#/media/File:Cod.I.6.4%C2%BA.2_006v.jpg
The text says, in relevant part, “And stand firmly in the balance stance as shown here.” (Codex Wallerstein fol. 6v.)
Lesson: Don’t take
large steps because you won’t be ready to step again if you need to do so:
“You should also … not step too wide, so that you can pull
back and be ready for another step backwards or forwards.” (Ms 3227a fol. 15v.)
Analysis: He has
taken such a large step that it is patent he would be incapable of a rapid step
in any direction. Obviously, his
recognition of the fact that tatami mats don’t hit back has caused him to
ignore correct form (if, indeed, he even knows anything about it).
Lesson: Always aim at
your opponent’s face or breast:
“No matter how you fight always aim the point at the opponent’s
face or breast, then he will always have to worry that you will be faster since
you will have a shorter way to go in to him than he has to you.” (Id. fol. 25r.)
Analysis: This lesson teaches us to not cut past our
opponent. Doing so leaves us wide open
to a counter attack since his point or edge will be closer to us than ours is
to him; the proximity of his point or edge will allow it to hit sooner than we
can respond. In the picture the cutter’s
sword is very far past his target and not aimed anywhere near his opponent’s
face or breast, so we can see this problem quite clearly.
Lesson: If you cut
too widely or too hard you will create openings for your opponent:
“You shall be careful and note if you can get in behind his
sword and always go the nearest way and never too wide, so that the opponent
does not come before you.” (Id.)
Analysis: This
instruction mirrors that above; if you cut wider than the masters teach, you
will create an opening your opponent can exploit.
In short, then, he stepped much too far, his stance is dangerously
unbalanced, and his cut is grossly overdone, leaving him helplessly exposed and
unable to respond quickly to an attack. He
got literally every part of the cut that we can see in the picture wrong (we
can’t discuss the technical execution of the cut itself without a video).
Test cutters claim they have to do test cutting or else they
will be unable to be sure they are cutting correctly. As this analysis shows, that is utter
nonsense since their cuts in no way resemble the proper method of cutting. They must overcut this way in order to make
the ultra-clean cuts they erroneously believe to be important, and that error
means they will always cut incorrectly.
They also argue that test cutting can teach edge alignment. While there is a tiny grain of truth in that
statement, they grossly exaggerate the point, as a brief historical analysis
makes plain: Simply put, there is not
the slightest hint of proof for the practice of test cutting in period. None. If
it was so important, why didn’t medieval masters teach their students to do it?
Rather, they taught their students to cut
on pells, and that practice serves us well today, too. Utter perfection of edge alignment simply isn’t
as important as test cutters make it out to be, and careful attention to pell
work is more than sufficient to the task without teaching the bad habits
inherent in test cutting.
For more information see this more extensive discussion of
the inherent evils of test cutting:
http://talhoffer.blogspot.com/2008/02/myth-of-test-cutting.html
http://talhoffer.blogspot.com/2008/02/myth-of-test-cutting.html
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This should serve to utterly silence those who scream in
outrage over my criticisms of this photograph and all others like it. It’s wrong, period. End of debate.